We use cookies to ensure that we give you the best experience on our website. Thomas Dekkers Jack Goes Home opens on a shot of Jack (Rory Culkin) staring directly into the camera as he solemnly intones a ponderous poem filled with lines like Shattered pieces of elusive memory steeped in pixelated streaks and auto-tracked frames. When his poem is interrupted by a co-worker for a bit of office banter, we learn that Jack is one of those pedantic assholes who enjoys picking semantic arguments with people over their use of words like bro. This is a singularly unappealing introduction to a character whose psychological terrain will be the films primary subject, establishing him as pretentious, off-putting, and not nearly as clever as he thinks he is. This under-directed muddle is punctuated by over-directed dream sequences and scare scenes that lean heavily on images cribbed from horror classics like Repulsion and Suspiria. Jack Goes Home. The story here is so clearly born ofan artistic mind facedwith the harsh reality of grief and attempting to make sense of it; needless to say, it is impressive to see a director so brazenly put much of his own experience especially one of such a traumatic nature into awork like this. Suddenly hes thrust back into a volatile situation where his only solace becomes the memory of childhood love corroborated by mysterious cassette tapes left behind by his father. But he always lapses back into a study of Jacks fundamentally incoherent psyche. He will belittle you with a lightning-fast tongue and think its educational. Teresa returns home, picks up her dog, and seemingly kills Duncan with a kitchen knife. Follow him on Twitter @mrandrewhawkins, Search the world's largest fan wiki platform. Oblivion Movie Ending, Explained | Plot Summary, Meaning - The Cinemaholic Some unsettling imagery couples with a dreamlike waltz through personal strife, yet come the films twisted finale, Dekker loses grasp of the self-discovery at stake. Onyx the Fortuitous and the Talisman of Souls / U.S.A. (Director, Screenwriter, and Producer: Andrew Bowser, Producers: Clark Baker, Michael Mobley, Olivia Taylor Dudley) Onyx joins a group of fellow occultists to attend a dark ritual at the mansion of their idol, Bartok. Jack Goes Home (2016) directed by Thomas Dekker - Letterboxd In a violent and horrific car crash, his father has perished while his mother has survived. After his father is killed in a car crash, Jack travels home to Colorado to help nurse his mother (who was injured in the crash) back to health. Fiction. Cast: Stephen Dorff, Moises Arias, Jason Genao, Karrueche Tran, Bella Thorne, Scott Bakula. The Kindred Standard Edition Blu-ray Review (Synapse Films), Running Out of Time Blu-ray Collection Review (Arrow Video), God Told Me To 4K UHD/Blu-ray Review (Blue Underground). Jack is an educated and well versed magazine editor living in Los Angeles. This is an artist using his medium as an outlet to exorcise demons without necessarily factoring in audience expectations. Evelyne Ily appears in a still from Mami Wata by C.J Fiery Obasi , an official selection of the World Cinema Dramatic Competition at the 2023 Sundance Film Festival. The scriptwill be especially frustrating for thosewho do not have much patience for a dreary cinematic experience that focuseson the tedium of tragedy. PREMIERES Summaries. He is not pleasant and definitely not meant to be likable. //]]> There, he uncovers long-buried secrets and lies within his family history, his parents, his friends and his very identity. Jack Goes Home is a 2016 American independent horror film written and directed by Thomas Dekker and starring Rory Culkin, Daveigh Chase, Nikki Reed, Britt Robertson, Lin Shaye, Natasha Lyonne, Louis Hunter, and Serge Levin. Infinity Pool / Canada (Director and Screenwriter: Brandon Cronenberg, Producers: Karen Harnisch, Andrew Cividino, Christian Piovesan, Noah Segal, Rob Cotterill, Anita Juka) James and Em are enjoying an all-inclusive beach vacation when a fatal accident exposes the resorts perverse subculture of hedonistic tourism, reckless violence, and surreal horrors. Jacks lifelong friend Shanda (Daveigh Chase) is there to help him, along with a mysterious next door neighbour, Duncan(played by Louis Hunter), who also wants to help him out through these hard times. Dekker chooses to hit you over the head repeatedly with all of his themes of depravity, sexual abuse and depression. As Jacks volatile mother, Shaye has an absolute field day as well; I have notseen suchagleeful delivery of truly searing dialogue in a while, and it is great to see this genre vet finally get to revel in such a colorfully villainous role. Fiction. MIDNIGHT: From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. In its better moments, like the scenes that pit Jack against his mother in increasingly hysterical confrontations, Jack Goes Home suggests the fever-pitched outlandishness of 1970s horror films like Alice, Sweet Alice and The Baby, but more often Dekker resorts to talky, rhythm-less dialogue scenes filmed in bland, undifferentiated close-ups. explain the ending of jack goes home - photorevolve.com There, he uncovers long-buried secrets and lies within his family history, his parents, his friends and his very identity. Robertson is a non-factor for most the film, whereas Lin Shaye turns in another fun genre role as Jacks tormenting mother but Culkindraws attention in every scene. Some of what Dekker throws at us helps in his gradual psychotic break, but a lot works towards distracting us from him as well as setting up a climax that proves more forced than revelatory without ever letting Shanda question peculiarities in view of the audience. Movie Insider is a registered service mark of The Movie Insider LLC. While there, he begins uncovering long-buried secrets about his childhood kept from him by his parents. Jack also suffers from bouts of unnerving sleepwalking episodes that disturb those around him. AUSTRALIAS MONSTER FEST ANNOUNCES FIRST WAVE OF F my very brief thoughts on. 'The Gingerdead Man'. You can follow his cinematic viewing habits at Letterboxd. Marking his first major directorial debut(if you dont count 2008s Whore, an impossible-to-find indie drama he also wrote and starred in),Jack Goes Home is a polarizing, but deeply personal look into the dark recesses of death, family secrets, and grief. As he slowly begins to uncover truths about himselfin the process, Jacks world and sanity areturned upside down in the most nightmarish ways. Jack Thurlowe's world is turned upside down when his beloved father is killed in a brutal car accident. When he returns to his childhood home Jack discovers nothing is what it seems. So, he goes to his office, his slice of solitude where he used to express his inherent creativity. Creepercast: my thoughts on. 'Jack Goes Home' - Blogger Fiction. It's directed by Lars von Trier whose prior films include the Nymphomaniac movies and Melancholia. Dekker quite openly admitted that he did not want to make a pretentious festival film while creating Jack Goes Home, a narrative that was inspired byhis own dealings with grief and his fathers death. Get our L.A. And what am I? Dekker might very well have asked himself the same thing because, as a director, hes ultimately just like Jack: He has no idea who he is. Culkin plays Jack as a spiteful and mean-spirited towards others, but there are plenty of scenes that juxtapose that when he shows care and concern for those he loves. The story itself is one of loss and homecoming, hinged on a characters wading through pools of emotional unrest. Plot summary After his father is killed in a car crash, Jack travels home to Colorado to help nurse his mother (who was injured in the crash) back to health. Some will dig this kinetic bout of blistering genre toxicity,while others will be let down by an ending that offers no pretty bows or sense of direction. Jack Goes Home hits limited release and VOD Friday, October 14. Cast: Tiffany Haddish, Asante Blackk, Kylie Rogers, Josh Hamilton, Michael Gandolfini, William Jackson Harper. Fiery Obasi, Producer: Oge Obasi) When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land. Lily LaTorre appears in Run Rabbit Run by Daina Reid, an official selection of the Midnight section at the 2023 Sundance Film Festival. The film is chiefly set up as a representation of the world through Jacks eyes as these truths flood his outlook, and though some of the visual cues grow repetitive and a bit on-the-nose, Dekker mostly succeeds in creating a world that is bizarre and unstable for hissuffering protagonist. Cast: Emilia Clarke, Chiwetel Ejiofor, Rosalie Craig, Vinette Robinson, Jean-Marc Barr. World Premiere. Jack Goes Home was a Limited release in 2016 on Friday, October 14, 2016. Dekker has rounded up quotean impressive cast for Jack Goes Home. The film veers almost at random from ghost story to family drama to erotic thriller to black comedy. Experimentation and tasty little bites of ferocious suburban horror provide gasps of fresh air amidst a film that stumbles over its own story, meaning that Dekkers vision is certainly thrilling just haplessly plotted about. Dekker attempts to provide an explanation for Jacks inconsistencies in the form of a ludicrous final plot twist, but even that cant make sense out of the mess thats preceded it. Article "'Jack Goes Home' Thriller Spirals Into Madness", by Jonathan Barkan, "Bloody Disgusting", August 24, 2016, Article "Rory Culkin's Life Becomes A Nightmare in Trailer for 'Jack Goes Home'", by Clark Collis, "Entertainment Weekly", August 25, 2016, https://en.wikipedia.org/w/index.php?title=Jack_Goes_Home&oldid=1107841227, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 1 September 2022, at 05:23. After his father is killed in a car crash, Jack . Would love your thoughts, please comment. Last week genre staple Thomas Dekker premiered his dark genre hybridJack Goes Home atthe 2016 SXSW Film Festival, and even by the festivals Midnighter standards, it proved to bequite the jarring experience. In its better moments, like the scenes that pit Jack against his mother in increasingly hysterical confrontations, Jack Goes Home suggests the fever-pitched outlandishness of 1970s horror films like Alice, Sweet Alice and The Baby, but more often Dekker resorts to talky, rhythm-less dialogue scenes filmed in bland, undifferentiated close-ups. Jack Goes Home is a swirling storm of emotional ravaging thats eventually personified by action, but it never comes together as wicked, cohesive storytelling. 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